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We'll Become the Flowers

by Eliza Edens

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1.
How 03:15
How do I get there? To the woods, through this country And how do I stay there? Make a home, grow all the things that I’ve ignored I tried to start by weeding through The trauma in my bones To rearrange the memories Forgive and not keep score But, how could you? When we were young, blind and falling And how can you? Linger on, drink your coffee like there’s nothing wrong I tried to start by walking four-hundred miles From north to south And to riddle through scenarios As if I had the power And in the end it seems To be uneven even at the root You are you, I am me, we are we There’s nothing left to prove But how do I get there? Through the woods, to the morning
2.
I went out walking in a cool September breeze By the graveyards in my hometown Tangerine clouds passed the alabaster tombs Of people who figured it out And it got me to thinking how my mother’s getting older Now I’m making her dinner at night And the stones just illuminate the irony of losing You can’t fake getting out alive Everyday I’m resistant to the permanence of moving Through these cycles, currents, and tides Every side of me loves every side of you that’s leaving That’s how I know I’m changing this time That’s how I know I might be changing this time It’s the Saturday choir of mowers in the yard And you’re digging through your garden designs Tender of the universe, your hands covered in soil Where we all end up down the line We’ll become the flowers in time We’ll become the flowers in time
3.
I Needed You 03:15
I want a simple house, simple man Dancing in the wilderness Never mind what I might find down the road again Little car, dotted line Are you passing through to another time? Never know which one of us will bend Wasn’t kind of you, wasn’t always true when I needed you Your flannel shirt, your calming words I needed you City lights, country nights Playing pool and tossing dice Never know who’s arms I’ll lay in Coffee cup, wish me luck Circle through the redux Never know what cycle I’m spinnin’ Wasn’t kind of you, wasn’t always true when I needed you How cruel to be, this kind of free when I needed you Big heart, highway mind Rock ‘n roll baby turn the dial Never know what song I’m singin’ I’m a simple person with a simple truth I want a simple way to love you but I Never seem to know which way’s the wind Wasn’t kind of you, wasn’t always true when I needed you Your soft t-shirt, your calm embrace I needed you I needed you
4.
North to south you’re travelin' Along the Blue Ridge spine Authoring your story I hope you find your shine It’s an odd truth A tangled bruise And I’m left with these memories of you East to West I’m travelin' Across the Great Divide I have questioned all my senses And let fear be my guide It’s an odd truth A ruthless tomb And I’m left with these memories of you I’d like to let you follow But the patterns don’t align So I’ll kiss you on your breast As you’re swallowed up by time It’s an odd truth A tangled bruise And I’m left with these memories of you It’s an odd truth A tangled bruise And I’m left with these memories of you And I’m left with these memories of you
5.
Ineffable 04:16
I hear the sound of sirens laughing at my window I smell the rain of midnight searching for a place to go I feel my body all contorted looking for comfort in angular places I see angels tellin’ me to quit my second guessing And when I walked outside today I looked out and I could see the sky And I put my hand up mama, to hold it up for you How come the clouds came by, how come the clouds go by yet it remains so blue In the back of my mind, I still cradle every thought of you There’s a thousand little worlds From the streets of New York City To the highways and the half-moon hills There’s a thousand little words I could string ‘em all together But it wouldn’t make sense of the same strangeness of it all My mother of the mountains wears her heart out on her sleeve She has trouble explaining the day-to-day happenings The struggle comes and goes, it goes and comes yet it remains so new In every stumbling conversation, every half-evoked thought I am a mess with you There’s a thousand little worlds From the look of a lover To the softness in a stranger’s eyes There’s a thousand little words I could string ‘em all together But it wouldn’t make sense of the same strangeness of it all
6.
For the Song 03:09
Tired legs, tired lips she tries to muscle on With every breath she draws in through her lungs And every route that led here leads to where she’s goin’ She’ll rise and she’ll fall and she’ll try for the song Money in her pocket with a face that looks like hers No doubts of her intentions to twist the scales and words No claim that her companion settled for her scores She’ll be low, she’ll be right, she’ll be high, she’ll be the source And when the rage comes around And every critic’s tearing up her ground The truth becomes power Saw her sitting there in silence wondering how to carry on Says “I’m no passing illusion or trend you can own I am not an object you can curse or define I’ll live and I’ll die and I’ll rise for my lines” And when the stars come around And everyone is handing her the crown She’ll be steady and still “I am heading Homeward bound When you find me I won’t be found”
7.
I did everything to catch you Turned my arms into marble statues Wrapped around your chest We mined until the gold was lead Was it the drive up 95? Showing you how the stick shift slides Laughing at every stall And screaming when the words got small It’s an adage to an ancient game A see and saw of who takes the blame Now I’m working too hard at the jewelry store Soldering stones to even the score Smiling at what I’ve attained And crying when I miss you again It’s an adage to an ancient dance A Tom and Jerry trying to fake a romance You gave no reason Just grabbed the key and sped away Oh it’s getting so hard to choose And I’m chewing on all the alternate routes Playin’ ‘em out on every page A cat and mouse just stuck in the cage
8.
Dawn looks a little clearer now With confidence of morning light How I wish to be in your arms With you still taking flight Rest is not available When ego clouds the mind How I wish I could photosynthesize Create my own shine Jimmy come back Skip your town and Hop on the next train down We’ll talk through all the secrets we haven’t told Holding all this tension now In my neck and in my spine I want you to want me To resolve everything But see our paths dividing Jimmy stay home I love you but I have to let you go We’re all bound to find someone to lose Quiet in the evening time No body to behold Time to dim this neon heart But the sign stays in my soul Jimmy come back I’ll skip this town And hop on the next plane down We’re all bound to find someone to lose Oh Jimmy come back Skip your town And hop on the next train down We’re all bound to find someone to lose
9.
It’s the cold northern winds Like the old grade school friends Finding all of the cracks in my skin I will welcome you in Every horror as friend Take account of the message you send If I see you passin’ through Every seed to its bloom I might know more of the map I’m traveling through And if I howl very far I can see through the dark Make it known, make it good, make it light And if I watch you passin’ through I get the urge to follow too But I know habits never help to Break the loop To see through To see through To see it through Keep the candle a’light For the spirits of night They might know, they might care They might cry, they might share They might try To see it through To see through To see through To see it through To see it through To see it through To see it through To see it through To see it through To see you through To see it through To see it through
10.
Julia 02:10
Thought I’d be there standing next to you Always supporting through hard times But it’s a different town and it’s a different plan Trading control for a blank canvas and a new life Oh, Julia The pen is in your hands for now Sorrow don’t keep as good company Grows slowly rotten like weeds best leave behind Oh, Julia The key is in your certainty You can’t always fear goodbyes you see Hope is the only seed worth planting Oh, Julia I am always on your side

about

On Eliza Edens’ sophomore album We’ll Become the Flowers, she seeks to understand what happens after the end. Whether grappling with heartache or a loved one's mortality, the Brooklyn-based songwriter reimagines endings not as finite events but as devotional experiences that give way to new beginnings. Edens takes inspiration from folk luminaries such as Nick Drake, Karen Dalton and Elizabeth Cotten, sowing her compositions with introspection born from her own grief. What emerges is a glowing collection of songs that serve as a map through tumult, toward hope.

Edens sings and writes with an equally tender reverie as in her 2020 debut album Time Away From Time. But where We’ll Become the Flowers diverges, is in its narrative vulnerability. Each song is bursting: with sorrow, with anger, with the miracle of existence. “I wrote this album out of emotional necessity,” Edens says. "I had just gone through a breakup. And around the same time, my mother was diagnosed with a neurodegenerative disease. I was spending a lot of my time trying to understand what it means to watch the hopeful person who raised me seem to slowly fade away before my eyes.” As the pandemic loomed, Edens turned to music: "This project was a rope I used to pull myself out of misery, to view the despair I was feeling from a different angle. It was also my escape.”

After a successful crowdfunding campaign, Edens recorded We’ll Become the Flowers during a two-week session in July 2021 in a Minneapolis attic. She worked with her trusted friends and collaborators – co-producer and bassist Pat Keen, audio engineer and guitarist Dexter Wolfe, and drummer Shane Leonard. Going into each session, they envisioned an atmosphere of experimentation which led them to reconceptualize many of Edens’ songs. “I Needed You,” for example, changed from “a glum breakup waltz” into “a song that’s feeling good about feeling bad,” Edens says, recalling Leonard’s words after he suggested changing the time signature.

In We’ll Become the Flowers, Edens’ voice rings out sweet yet sorrowful; playful yet certain; hers is a voice capable of embodying emotion in all its complexity. When Edens asks, in the record’s opener, “How do I get there?” she stretches out the last word as if to emphasize its infinite possibilities. Yet Edens never remains in the abstract; instead, she takes us along on her emotional journey, speaking honestly, intimately, and specifically about her process: “I tried to start by weeding through the trauma in my bones,” she sings in the next verse of “How.” “To rearrange the memories / Forgive and not keep score.” In “Tom and Jerry,” Edens’ songwriting becomes more whimsical. “Oh it’s getting so hard to choose / And I’m chewing on all the alternate routes,” Edens sings, using a playful rhyme with alliterative echo.

In “I Needed You,” Edens uses the repetition of her hook to convey how her feelings toward her former lover have shifted over time. The first time she sings, “I needed you,” her voice is steeped in nostalgia, romanticizing the lover’s “flannel shirt and calming words.” But the final time Edens sings, “I needed you,” her tone has shifted: she’s harsher, irreverent even – and as if in response to remembering how much she thought she needed them, she breaks into laughter. But Edens’ conviction as a songwriter comes across most clearly in “For the Song.” “And when the rage comes around,” she sings, “And every critic’s tearing up her ground / The truth becomes power.” In this last phrase, her voice is as direct and unwavering as her words.

Creating We’ll Become the Flowers started as a way for Edens to plant her grief. What took root, however, is a series of offerings. These come in the form of scenes that are both familiar yet deeply personal to Edens: singing loudly on the highway, wandering a graveyard, dancing in the wilderness, watching her mother plant flowers, wishing to create her own shine, reminding herself that the only seed worth planting is hope. Through Edens’ words, we glimpse the possibility of change, of forgiveness, of acceptance and, in numinous spurts, joy. If we see Edens’ album as a conversation—between Edens and herself and between Edens and the listener—then the conversation opens with a question that she poses in the first song, “But how do I get there?” In the album’s denouement, “Julia,” Edens returns to this question, changed, and with a final offering: “The pen is in your hand,” she reminds us. “And the key is in your certainty.”

credits

released October 14, 2022

Credits:
All songs & lyrics by Eliza Edens
Recorded & mixed by Dex Wolfe
Produced by Pat Keen & Dex Wolfe
Additional production by Eliza Edens & Shane Leonard
Additional production by Matt Bedrosian on “I Needed You”
Additional songwriting on “I Needed You” & “Westlawn Cemetery” by Dex Wolfe
Additional bass arranging on “How” by Nate Sabat
Mastered by Huntley Miller
Photography by Matt Gaillet
Design & layout by Elena Foraker
Recorded in February, July & September 2021 in Minneapolis, MN

The Band:
Eliza Edens on Vocals, Acoustic Guitar, Electric Guitar, Aux Percussion (1, 7)
Pat Keen on Upright & Electric Bass, Synth, Backing Vocals (9), Acoustic Guitar (7)
Shane Leonard on Drums, Aux Percussion, Fiddle (2), Keys (3), Backing Vocals (6), Programming
Dex Wolfe on Electric Guitar, Acoustic Guitar (7), Lap Steel, Aux Percussion (7), Backing Vocals (9), Programming

℗ 2022 Edens Sounds | © 2022 Eliza Edens Densmore (ASCAP)
All rights reserved. | eliza-edens.com

Thank You:
Deep thanks to the more than 200 kind and generous people who donated to my Kickstarter campaign: a tapestry of friends, lovers, strangers, family, and fans. Your belief in the music carried me through a challenging time, and I’m so grateful for your support.

Thank you Dex, Pat, and Shane for giving everything you had to these songs to elevate them to new heights.
Thank you Alisa, Laura, Kaiti, and Katie for providing a nurturing space for some of these songs to grow.
Thank you Matt Gaillet for being the coolest cat in town.
Thank you Sam for the guitar lessons and the spirit.
Thank you Camille for your silver tongue and clarifying presence.

This album would not have been possible without the support of: Deb Cary, Mark Clayton, Bill Densmore, Chuck Honnet, Betsy Johnson, Nicole Pey, & Paul Warne.

Thank you Desi, Esther, Gabe, Joanna, Leeya, Martin Awano, Mrs. Poppy, Sarah, Shazi, Sophie C., Sophie J., Sylvie & Mark, and Wes. Thank you Lou. Thank you Dad, Mom, and Christopher. Thank you to anyone who’s listening and everyone who’s affected me. I’m extremely grateful. I love you, and I hope the songs carry you through.

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Eliza Edens Brooklyn, New York

guitar poet

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